Why industry solutions are often not suitable
Posted: Tue Jan 28, 2025 5:06 am
SeaTable as flexible museum software
Art management software must be flexible and simple at the same time. An insurmountable challenge for conventional industry solutions
As an outsider to the industry, you might be surprised at how many such industry solutions there are in exhibition, museum and art management. Even a quick search will reveal a multitude of possible solutions. The most well-known include: MuseumPlus, Axiell Collections Management, Artwork Archive, CatalogIt, PastPerfect, Argos Art Management, Versai Museum germany rcs data Management Software, Veevart and many more. Each of these solutions has its own individual focus, although you can often distinguish between two categories: one category focuses on creating catalogs, visual elements and exhibition information, while the other category takes care of the administrative work in the background.
The problem with all of these special solutions is their rigid structure. They force their users into a process and a way of working that the software considers to be useful. The only way to deal with the diverse challenges in the art world is flexibility. Only if the management software can adapt to the requirements and reality will it really make the users' work easier.
Art management software must be flexible and simple at the same time. An insurmountable challenge for conventional industry solutions
As an outsider to the industry, you might be surprised at how many such industry solutions there are in exhibition, museum and art management. Even a quick search will reveal a multitude of possible solutions. The most well-known include: MuseumPlus, Axiell Collections Management, Artwork Archive, CatalogIt, PastPerfect, Argos Art Management, Versai Museum germany rcs data Management Software, Veevart and many more. Each of these solutions has its own individual focus, although you can often distinguish between two categories: one category focuses on creating catalogs, visual elements and exhibition information, while the other category takes care of the administrative work in the background.
The problem with all of these special solutions is their rigid structure. They force their users into a process and a way of working that the software considers to be useful. The only way to deal with the diverse challenges in the art world is flexibility. Only if the management software can adapt to the requirements and reality will it really make the users' work easier.